Most people—even children—are familiar with the basic tale of the brave and daring Three Musketeers and their protégé D’Artagnan. The Indiana Repertory Theatre’s production, adapted for the stage by Catherine Bush, is a brilliant period piece—and we would expect no less from the IRT. Director Henry Woronicz coaxes his cast into a performance that eloquently invokes the time period, enhanced by William Bloodgood’s atmospheric, imposing set that towers over the characters, much as political intrigues hovered threateningly over Paris. The set is complemented by Ann G. Wrightson’s posh lighting, and Devon Painter’s elegant costuming is the finishing touch.
Jeb Burris is thoroughly charming as D’Artagnan in his naivety and dedication. He has a smile that could break hearts. He befriends the swashbuckling titular threesome made up of the prone-to-drunkenness Athos (Ryan Artzberger), the mild Aramis (Nathan Hosner), and the fun-loving Porthos (David Folsom), each of which seems to carry his character’s personality effortlessly. The Musketeers are led by Robert Neal as Monsieur de Treville, who can make hairpin turns from thunderous rage to intimate comradery.
Antagonists in the play are the evil incarnate Rochefort played by Rob Johansen (who is the recipient of some good laughs nonetheless), his subtly cunning cohort Milady de Winter played by Elizabeth Laidlaw, and the intimidating Cardinal Richelieu played by Dan Kremer.
Amanda Catania is sweet as Constance, D’Artagnan’s love interest, and Charles Goad gets a comedic if short turn as the foppish King Louis XIII; these are among the multitude of intriguing characters.
Barry G. Funderburg’s music reflects the tension of the play, but some musical underscoring during fights is distracting. The swordplay is realistic thanks to fight director Paul Dennhardt, but it often goes on too long—something that can be said of the show as a whole.