In summary: There’s so much good here that it overwhelms many of the production’s flaws.
Mounting a production of Spamalot is a bold move for Footlite Musicals. The show is based on Monty Python and the Holy Grail, a 1975 movie that garnered a cultish following, and that following, along with Broadway trivia buffs, helped make the musical a smash hit on Broadway, even if Terry Gilliam did call it “Python-lite.” Plus, the original cast included Tim Curry, Sara Ramirez, Hank Azaria, and David Hyde Pierce, among others. Given the show’s history (and having seen it twice in touring productions), scaling back my expectations was difficult at first, especially when the sound was distorted and the lighting was off. However, on more objectively evaluating Footlite’s production, it really is a remarkable success. Cast and crew are made up completely of volunteers, but this did not stop them from turning out a production with ingenious costuming, well-executed sets, and a cast packed with talent.
Rich Baker leads the knights and ladies through this show of carefully orchestrated silliness. And while Arthur is the central figure of the eponymous legends, the first laurels must go to Rebecca Devries McConnell as the Lady of the Lake. Her ability to bring down the castle in “The Diva’s Lament” would make Sara Ramirez proud, and her scatting in “Knights of the Round Table” is spot-on, as is “Find Your Grail.”
That said, Drew Duvall most certainly holds his own as King Arthur, especially in his rendition of “I’m All Alone” with his loyal, and hilarious, manservant Patsy, Vince Accetturo, who shines in “Always Look at the Bright Side of Life.” Arthur’s knights—Christopher Jones (Sir Robin), Christian Condra (Sir Lancelot), Tony Schaab (Dennis/Sir Galahad), Clint Buechler (Sir Bedevere), and Sam Surette (Sir Bors)—individually create distinct and inherently outrageous characters while collectively adding to the dynamic humor of the show (like in “Knights of the Round Table”). Jones pulls off a perfectly cheeky “You Won’t Succeed on Broadway,” and Condra is screechingly funny in his complete embrace of the rainbow in the too-brief “His Name Is Lancelot” (with help from THAT CODPIECE. Thank you, costume designer Jeff Farley, and for all your other masterworks here.).
There’s so much good here that it overwhelms many of the production’s flaws. And even mistakes can add to the entertainment—some bumbled dismembering of the Black Knight on Sunday made the scene even more comical.
|Thursday @ 7:30 pm
||Friday @ 7:30 pm||Saturday @ 7:30 pm||Sunday @ 2:30 pm|
|N/A||November 25||November 26||November 27|
|December 1||December 2||December 3||December 4|
|December 8||December 9||December 10||December 11|
Adults – $23.00
Youth (17 and under) – $15
Discount Days: All Thursday evening performances and opening weekend Sunday matinee: $10 all seats.