Posted in Indianapolis theater: reviews

NoExit: “The Mutilated”

mutilated
Gigi Jennewein and Beverly Roche in NoExit’s “The Mutilated.” Photo by Daniel Axler.

Tennessee Williams is one of the best-known American playwrights, having penned the smashing successes The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof. However, in the 1960s and ’70s, his work took a downward turn, as did his personal life. Drugs and alcohol severely affected the quality of his work, so those plays became unpopular and obscure. 1965’s The Mutilated is one of those plays, and while I find no fault with NoExit’s production, I am not going to defend the script. (However, the use of some really nasty rose incense at the end had my best friend on the edge of a full-blown asthma attack and left me with a headache from hell.)

Ryan Mullins directs fallen-out friends Gigi Jennewein as the self-conscious, pent-up Trinket and Beverly Roche as the shoplifting, washed-up prostitute Celeste. Roche is particularly interesting in her portrayal of a woman on the rock bottom, willing to eat Vanilla Wafers from a box containing a dead cockroach, and Roche and Jennewein play well off each other.

The supporting cast includes Zachariah Stonerock, Matthew Walls, Doug Powers, Mark Cashwell, Dan Flahive, Abby Gilster, and Elysia Rohn, all of whom help add interest, including very nicely done a cappella breaks (musical composition by Ben Asaykwee).

Mullins uses the space’s balcony to great effect, and Kipp Normand’s set and prop design includes some intriguing pieces. I love the hats that costume designers Kat Robinson and Traci Snider put on the ladies.

If you are up for a challenge, NoExit’s presentation is quality. But don’t expect anything close to the genius of The Glass Menagerie.

Author:

freelance editor, writer, and theater critic

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