Posted in Indianapolis theater: previews

Openings for the weekend of 7/19

Carmel Community Players: Failure to Zig Zag: The Story of the USS Indianapolis

Neither the captain of the USS Indianapolis, McVay, nor his crew were told the cargo they had delivered in Tinian contained the essential components for the atomic bomb to be dropped in Hiroshima. Having completed its top-secret mission, the ship was sunk by a Japanese submarine. The crew languished in shark-infested waters while Naval authorities logged the ship safe in port. The Navy’s coverup and attempt to make McVay a scapegoat led to a national scandal.

  • July 19-28, Thursdays-Saturdays at 7:30 p.m. and Sundays at 2:30 p.m.
  • $14-$16
  • The Cat

Fat Turtle Theatre Company: Go Be Joan

Go Be Joan is a selected script from The Incubator project that Fat Turtle Theatre Company runs every year to find the best scripts from local writers in the Indianapolis area. It is a heart-warming show about a woman named Joan who lost her husband a couple years ago and has since been a shut-in. Travel through the story as Joan works with her family to learn how to live again.

  • July 18-28, Thursdays-Saturdays at 7:30 and Sundays at 2:30 p.m.
  • $20; $25 at the door; $20 student/military
  • Theater at the Fort
  • Tickets here

Phoenix Theatre: The Brain Thief by Tom Horan public reading

Playwright-in-Residence Tom Horan’s latest script is equal parts comical, endearing, bizarre, and fascinating. In short, exactly what Horan delivers in all of his work. One brain’s wit comes to life — comes back to life? Who’s to say — when one misguided thief takes it for a spin. A commentary on youth, danger, loss, love, and loneliness, The Brain Thief is a brain warp like no other. This is a free reading. Please call the box office at 317-635-7529 to reserve a spot.

Posted in Indianapolis theater: reviews

Fat Turtle Theatre Company: “Letters Sent”

Becky Lee Meacham, Lexy Weixel, and Victoria Kortz in Fat Turtle Theatre Company’s “Letters Sent”

Letters Sent explores the aftermath of a suicide attempt and its effects on friends and family. Claire (Lexy Weixel), a young adult living on her own, sent out nine confessional letters before slashing open her arm. Somehow, her mother received her letter in the mail soon enough to find her daughter still alive and got her to the hospital in time to save her life. Now, Claire is living in her mother’s home while she recovers from the attempt and undergoes therapy, both talk and pharmaceutical.

Anyone who has dealt with major depressive disorder with suicidal tendencies, either in themselves or loved ones, will recognize Claire’s emotions (anger, frustration, failure, worthlessness, fatigue, isolation) and erratic behavior (lashing out, mood swings) as they are pretty textbook. As are her mother’s emotions (Kathryn Comer Paton): frustration, helplessness, overprotectiveness, anger, hurt, and betrayal.

With Becky Lee Meacham, Joe Barsanti, and Victoria Kortz as Claire’s friends; Wendy Brown as her therapist; and Doug Powers as her father, the show, directed by Brandi Underwood, doesn’t broach anything new or have any revelatory moments. It feels long and drawn out. The characters aren’t particularly interesting or individualistic so there’s little to invest in them.

This is the world premiere of Letters Sent by Janice Hibbard, and I feel it needs to be kicked back to workshopping for character development and story arc.

Posted in Indianapolis theater: previews

Openings for the weekend of 8/3

Phoenix Theatre: Cry It Out 

Phoenix Theatre’s “Cry It Out”

Motherhood is terrifying. Through a burgeoning friendship in a Long Island suburb, two women seek to redefine their lives as “mother” with poignant moments of doubt sprinkled in the mix. This heartwarming story explores the times of quiet between the general chaos of raising a child that reveal the sheer comedy of motherhood balanced with the unrelenting truth of a life forever changed. 

  • Aug. 2-26, Thursdays-Saturdays at 7:30 p.m. and Sundays at 2:30 p.m.
  • Before the official opening night, a single Thursday preview ticket is $25; regular ticket prices are $33-$37

Indianapolis Shakespeare Company: Coriolanus

Ren Jackson as Titus Martius (aka Coriolanus) in the Indianapolis Shakespeare Company’s production

Coriolanus is an intriguing political thriller for times past, present, and future. Set in Ancient Rome and written in the early 1600s, the play has readily reflected the contemporary political climate of each of its professional productions. And it will do so once again for Indianapolis audiences. Shakespeare’s unerring instinct to tap into what matters to us, what we value, and what we are willing to fight for shines brightly in Coriolanus. But Shakespeare does not take sides — he asks us to decide which causes call our name and who and what we want our leaders to be.

Pack a picnic or enjoy food and drinks for sale in the park. Come early for the pre-show band Dog Mamas!, food trucks, Sun King, and Vino Winemobile beginning at 6 p.m. Bring a blanket or chairs for the show. The best parking is at the zoo ($15 nonmembers). Once you are parked at the zoo, look for the Shakespeare signs between the Butterfly Building and the zoo. Walk up through these building (also handicapped accessible) and you will arrive at the free shuttle stop. Take the shuttle or walk across the Washington Street pedestrian bridge and you will arrive at White River State Park.

Buck Creek Players: The Rainmaker

Steve Jerk and Jenni White in Buck Creek Players’ “The Rainmaker.” Photo by Gary Nelson,

During a time of a paralyzing drought in the West, we discover a girl whose father and two brothers are worried as much about her potential future as an old maid as they are about their dying cattle. The brothers try every possible scheme to marry her off, without success. Nor is there any sign of relief from the dry heat, but suddenly, from out of nowhere, appears a sweet-talking man with quite the sales pitch. Claiming to be a “rainmaker,” the man promises to bring rain for $100. Meanwhile, the rainmaker also turns his magic on the girl and persuades her that she has a very real beauty of her own. She believes it, just as her father believes the fellow can actually bring rain. Rain does come … and so does love.

Brent Marty & Claire Wilcher:

In Character!

Brent Marty and Claire Wilcher

Have you ever wondered what it takes to create a cabaret? Local artists will be answering that question (and more) in the all-new Cabaret Incubator Series, starting with Indy’s own Brent Marty and Claire Wilcher. These local divas are bringing their big voices and even bigger personalities to The Cabaret. They’ve joined forces to serve up hot, local vocal delicacies with personal favorites, retro hits, and their favorite pastime — matching wits! Learn more about their creative process in a post-show Q&A!

Fat Turtle Theatre Company: Godspell

Godspell was the first major musical theater offering from three-time Grammy and Academy Award winner Stephen Schwartz (Wicked, Pippin, Children of Eden), and it took the world by storm, led by the international hit “Day by Day.” A small group of people help Jesus Christ tell different parables by using a wide variety of games, storytelling techniques, and a hefty dose of comic timing. An eclectic blend of songs, ranging in style from pop to vaudeville, is employed as the story of Jesus’ life dances across the stage. Dissolving hauntingly into the Last Supper and the Crucifixion, Jesus’ messages of kindness, tolerance and love come vibrantly to life.

  • Aug. 4 at 7:30 p.m.; Aug. 5. at 2:30 p.m.; Aug. 9 at 7:30 p.m.; Aug. 10 at 7:30 p.m.; Aug. 11 at 7:30 p.m.; Aug. 12 at 2:30 p.m.
  • $15 ($20 at the door); senior/student/military pre-sale $12 ($15 at the door)
  • Theater at the Fort

Intern Theatre: A Night of One Acts

The Cat’s interns Tristan Zavaleta, Blake Miller, Emma Rund, and Audrey Larkin present their own night of one acts. 

Check, Please by Jonathan Rand: Dating can be hard. Especially when your date happens to be a raging kleptomaniac, or your grandmother’s bridge partner, or a mime. Check, Please follows a series of blind dinner dates that couldn’t get any worse — until they do. Could there possibly be a light at the end of the tunnel?

Personal Library by Emma Rund: Have you ever wanted to live inside a book? Megan does. In fact, she never leaves her house, living vicariously through books and speaking only to her best friend, Claire. When her concerned ex-boyfriend shows up at the door, he unearths a trauma that will force Megan to navigate that frightening place between reality and fantasy. 

Posted in Indianapolis theater: previews

Openings for the weekend of 3/23

IndyFringe Theater: OnyxFest: A Celebration of African-American Playwrights

Onyx Fest is Indianapolis’ first and only theater festival dedicated to the stories of African-American playwrights. The inaugural Onyx Fest in 2012 was developed in response to the lack of diversity on stage and in audiences of Indianapolis’ theaters; except the IndyFringe Theater. IndyFringe has actively worked towards embracing diversity in the Indianapolis theater scene and these efforts have yielded fruit by working with African-American playwrights to change the Indianapolis theatrical landscape of storytellers, actors, and audiences at the IndyFringe Theater. Onyx Fest is another step towards institutionalizing the IndyFringe Theater’s commitment to provide support and a performance venue that is inclusive of all playwrights who make up the Indianapolis community.

The importance of Onyx Fest: Develop and present voices not often heard and showcase the work of established voices. Engage new and established audiences in the art and craft of production Bring new excitement to theatre and grow Onyx Fest as a center for African-American playwrights.

Impact of Onyx Fest: Growth of new works, new audiences, new performing companies, new Fringe Festival shows. Imagine the new voices being heard.

Dear Bobby: The Musical 

Playwright: Angela Jackson Brown; Music: Peter Davis

dear-bobby-v9-2Judith Rosenstein and Annabelle Strong are two twelve-year-old girls from opposite sides of Indianapolis but their stories are similar. Both girls are growing up without their mothers and both have two very loving fathers and brothers.This play explores the very real struggles and successes of the Jewish community and the black community to unite as one in Indianapolis during this time. It explores in a larger scope, the tumultuous times everyone was living through as they watched in horror the assassination of their leaders.

Forever Moore  

Playwright: Lanetta Overton

The holidays are quickly approaching, and the Moore family is planning to visit with one another. Ruby and Michael are anticipating the arrival of their three beloved sons. Tyrique is the eldest son, he is a lawyer who has worked hard to make partner at Lax and Chism Law firm. He’s in the right business, but he may soon need a lawyer of his own. Trent is the middle son who is currently in his last year at Notre Dame, his passion is football, but he has a love for something else which could lead to his demise. Lastly, the youngest son Jywan is a military man that has not always had a voice, but is in desperation of trying to be heard. The Moore’s will share more than good food and laughs over the holiday. It’s time for this family to show they will be there for one another despite the odds they may face.

Take My Hand (A Blues Man’s Path to Gospel)

Playwright: Lillie Evans,

takemyhandThomas Dorsey, a self confident composer and self-taught pianist, is determined to make his mark. In his early twenties he was well on his way to being one of the most prolific composer in blues history and was sought after by some of the top blues artist of his time. But, what’s gospel have to do with it? His vision is to marry church music with blues rhythms — it was called gospel. Pressured by those around him, he is unable to choose between the blues he loves and the secular music he was striving to change. The answer comes at a heavy price but heralds a song that anointed Dorsey as the “father of gospel music.”

Fat Turtle Theatre Company: The Quest for Don Quixote (Indiana Premiere)

Fat Turtle Theatre Company: “The Quest for Don Quixote”

Playwright Ben Eisenberg sits in a Starbucks on the eve of the first rehearsal of his stage adaptation of Don Quixote. There’s just one problem — he hasn’t written it. He hasn’t written anything in years, and his status as wunderkind playwright is quickly fading to has-been hack. His agent is apoplectic, the producer’s advance is long since spent, and adapting a 1,000-page Renaissance adventure is beginning to feel a bit like tilting at windmills. But then — whether from a stroke of genius or a near-lethal dosage of caffeine and Xanax — Starbucks itself begins to transform, and the errant knight arises in this delightfully theatrical and hilarious retelling of Cervantes’ classic tale.

Civic Theatre: And Then There Were None by Agatha Christie

Civic Theatre: “And Then There Were None”

Ten strangers are summoned to a remote island. All that the guests have in common is a wicked past they’re unwilling to reveal and a secret that will seal their fate. For each has been marked for murder. As the weather turns and the group is cut off from the mainland, the bloodbath begins and one by one they are brutally murdered in accordance with the lines of a sinister nursery rhyme. One of Christie’s darkest tales and a masterpiece of dramatic construction, its growing sense of dread and unfaltering tension will keep you guessing to the very end.

  • March 23-April 8; Wednesdays-Saturdays at 7 p.m.; Sundays at 2 p.m.; last Saturday at 5 p.m.
  • Prices vary

Indianapolis Opera: South Pacific

Rodgers and Hammerstein’s endearing classic deals with many socially significant issues of today: war, romance, racism and battle fatigue. Rodgers wrote most of the lyrical melodies specifically for opera stars, including Ezio Pinza, the lead bass at the Metropolitan Opera for 22 years. Audience members will be moved by some of the most popular songs in all of musical theater including “Some Enchanted Evening” and “Younger than Springtime.”

  • Friday, March 23 at 7:30 p.m.; Saturday, March 24 (sold out); Sunday, 25 at 2:30 p.m.
  • Schrott Center for the Arts
  • $25-$55
Posted in Indianapolis theater: reviews

Fat Turtle Theatre Company: “Glengarry Glen Ross” (3 stars)

Fat Turtle Theatre Company’s “Glengarry Glen Ross”

Fat Turtle Productions made a bold choice in its premiere production, Glengarry Glen Ross. The show demands only the most dynamic actors, and while the cast here is good, the show eventually succumbes to its own tedious weight.

David Mamet’s 1984 Pulitzer Prize winner follows four Chicago real estate agents in frenzied attempts to “make the board” no matter what tactics it takes to get there. In typical Mamet mode, the show is talk talk talk, and these men snipe snipe snipe.

As office manager John Williamson, Ryan Reddick consistently gives off a “fuck you” attitude even when Doug Powers as Shelly Levene does an admirable job of ripping into him. His excitement is warranted, as the audience previously saw Powers display his character’s desperation to get a decent lead and get back in the game after a lengthy dry spell. Jeff Maess as George Aaronow also gets to evolve into anger as his initial lost boy countenance, battered by hypotheticals from Luke McConnell as Dave Moss, morphs under pressure.

Tristan Ross as Richard Roma is the most charismatic of the salesmen, and his circular speech is demonstrated on the mousy James Lingk (played by Rex Riddle). Jason Page as Detective Baylen gets to try to strong-arm the men, but in the face of these rash characters, he stands little chance.

Mamet isn’t for everyone, but if you’re a fan of him or the film version of the play, this production, directed by Aaron Cleveland, may be worth checking out.

Posted in Indianapolis theater: previews

Openings for 10/6-20

I will be out of town and minus my laptop for a while, so I’m combining what I have so far for the next three weekends. Sorry if I miss anyone!

Oct. 6

Fat Turtle Theatre Company: Glengarry Glen Ross

“Glengarry Glen Ross” at Fat Turtle Theatre Company. Photo by Brandi Elizabeth Underwood.

This Pulitzer Prize winner took Broadway and London by storm. Here is David Mamet at his very best, writing about small-time, cutthroat real-estate salesmen trying to grind out a living by pushing plots of land on reluctant buyers in a never-ending scramble for their share of the American dream. The play is about angles, about conniving, about devil take the hindmost, where the only things that matter are money and making it. Forget about ethics, even common decency.

Beef & Boards: Ghost, The Musical

You know what this is …

Oh, my love, my darling
I’ve hungered for your touch
A long, lonely time
Time goes by so slowly
And time can do so much
Are you still mine?
I need your love
I need your love
God speed your love to me

Pre-Enact Indy at Monon 16

Harrison Center for the Arts will host the free and open to the public event. A first of its kind, the collaborative preenactment theater event will span three city blocks and envision through interactive performances what a neighborhood OUGHT to be. Alvarez & Klein Productions is participating along with ten other theater companies by presenting Club Monon. There will be three 30-minute shows at 2:30, 3:30 and 4:00 p.m. at The Tinker House Events, located at 1101 E 16th St. (2nd Floor). Come and hear talented vocalists Tiana Williams and Logan Moore, accompanied by Dustin Klein on piano, perform jazz and blues song stylings from the Great American Songbook.


Oct. 12

Civic Theatre: Annie

Yeah, you know this one too. Meet adoptable pets from the Humane Society of Indianapolis Thursday, Oct. 12, Sunday, Oct. 15 & Sunday, Oct. 22 before show time.

Center Stage Productions: The Secret Garden

I loved this story when I was a kid … Mary Lennox, a sullen and spoiled young orphan, is sent to live with her brooding uncle at gloomy Misselthwaite Manor. Discovering a hidden, neglected garden, Mary plants the seeds of new life for all those drawn into her secret refuge.

Carmel Community Players: Hide and Seek

After 18 years of marriage, Richard and Jennifer Crawford are finally about to become parents and have moved from the city to an old farmhouse, which they are trying to restore before the baby arrives. He still commutes each day, while she stays in the country supervising the shambling handyman and cook who work for them. At first it is mostly the slow pace of restoration that nags them, but a general sense of unease begins to build as the old house seems to be resisting their intrusion. The lights fail, the plumbing malfunctions, a fey neighbor stops by with an odd gift (a prayer book for the burial of the dead), and her poet husband ominously warns Jennifer that she should go back to the city before it is too late. Further complications arise when they are joined by Richard’s ne’er-do-well brother and his fiancée, but it is the silent little girl whom Jennifer claims she has seen swinging in the backyard who brings on the chilling climax of the play, in which the real and the supernatural clash with disturbing and breath-stopping results.

The Candlelight Theatre Company: Victorian Villains

The Harrison Home is unexpectedly beset by a host of the most villainous villains from history. Just when the world thought it was rid of Lizzie Borden, Sweeney Todd, H.H. Holmes and Jack the Ripper, a local team of crime scene investigators have discovered a nefarious plot to bring them back to life! In this frightful performance, guests will partner with their crime scene handler to uncover the sordid tales of the villains. Are you ready to face these fiendish creators of chaos and carnage, so that we can learn from their twisted and tormented minds to protect society as we know it… before it’s too late?! Audiences will travel from room to room enjoying performances throughout the Harrison mansion. Audiences will travel up and down two flights of narrow stairs (elevator assistance is available). Guests will view shorter vignettes standing and longer scenes seated. Each performance lasts approximately 60-75 minutes.

Broadway Across Indianapolis: Finding Neverland

Finding Neverland tells the incredible story behind one of the world’s most beloved characters: Peter Pan. Playwright J.M. Barrie struggles to find inspiration until he meets four young brothers and their beautiful widowed mother. Spellbound by the boys’ enchanting make-believe adventures, he sets out to write a play that will astound London theatergoers. With a little bit of pixie dust and a lot of faith, Barrie takes this monumental leap, leaving his old world behind for Neverland where nothing is impossible and the wonder of childhood lasts forever.


Oct. 20

IndyFringe: Bard Fest

A collection of Shakespearean tales, all with a twist.

Indiana Repertory Theatre: The Originalist

Supreme Court justice and conservative icon Antonin Scalia hires a young, liberal, female law clerk and opinions start flying right and left. Every point of view is explored in this thoughtful, witty, open-minded look at one of our most galvanizing national figures.