Posted in Indianapolis theater: reviews

Catalyst Repertory: “Popular Monsters”

popmonsters1
Jamie McNulty and Tom Weingartner in Catalyst Repertory’s “Popular Monsters”

Bumbling journalist Greg is fan-boying. He’s interviewing one of his idols, horror monster moviemaker Ephraim Knight. It’s almost reminiscent of a scene in the movie Gods and Monsters, without the weird striptease. And instead of the 1950s, it’s 1978 — Halloween has just been released and the movie Rocky Horror is getting its heyday. Greg is writing an “all-Knight” issue for the magazine Popular Monsters (a nod to the movie-monster magazines that were prolific at the time). However, the magazine is in dire straits. Its owner is on his deathbed, and his daughter, Elsa, has no intention of keeping the magazine alive.

Actually, the show shares some of the topics touched on in Gods and Monsters, specifically the philosophy of the horror-movie-making industry, the evolution of the genre, and the fates of those left behind as they are supplanted by the next generation.

But then Lou Harry’s play, which is directed by Zachariah Stonerock, adds a plot twist concerning paternity. The addition is jarring in that there is no lead-in — the revelation seems pulled from the ass — and from there the story just loses its interest. There’s a metaphor there, but it’s lost in the lack of subtle. Instead of letting the audience ruminate on its deeper meaning, we are barraged by family drama.

Tom Weingartner as Greg is endearingly geeky. Jamie McNulty could have been an impressive presence in his approach to the characterization of Knight if he hadn’t fumbled so many lines on Friday night. Miranda Nehrig is fine as the emotionally maxed-out Elsa, and she is a cute drunk. Alexandria Miles plays Shawna, a brusque, abrupt, and annoying character that helps inject motivation for dialogue.

Before the show, my friend and I had a ball looking at Stonerock’s set, a hodgepodge of memorabilia reminiscent of an I Spy game.

There is some good stuff here, but IMHO, I think the script for Popular Monsters still needs some tweaking.

 

Posted in Indianapolis theater: previews

Openings for the weekend of 10/26

Zach & Zack: The Rocky Horror Show

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Zach & Zack present “The Rocky Horror Show”

Zach & Zack is, IMHO, producing some of the best stuff on Indy stages, and what could possibly be more fun than doing the Time Warp down memory lane? For me, Rocky embodies all that was the most unfettered in my high school and college years. Do it again or take a Rocky Virgin and laugh your ass off at them. I highly recommend the audience participation because the show just isn’t as interesting without it. (But WTF, no props? No toast? No squirt guns? No cards? I guess I can understand the no bologna and no lighters, but damn.)

Squeaky-clean couple Brad and Janet find themselves stranded on a dark and stormy night. A flat tire brings them to the home of the fabulous and mysterious Dr. Frank N Furter. Too bad for them, they’ve arrived on a very special night! Soon, Brad and Janet will meet Frank’s newest “creation,” battle with temptation, and experience the craziest evening of their lives. 

Plan to yell callbacks during the show? You’ll prefer the late-night performances. (But they won’t stop you at the early shows!) No props will be allowed into the theater (but costumes are highly encouraged).

Cast highlights include Dave Ruark as Frank N Furter; Adam Tran as Brad; Adam Crowe as the Narrator; and music director Brent Marty on the keyboard.

  • Friday, Oct. 26 at 8 p.m.; Saturday, Oct. 27 at 7:30 and 10:30 p.m.; Thursday, Nov. 1 at 7:30 p.m.; Friday, Nov. 2 at 9:30 p.m.; and Saturday, Nov. 3 at 7:30 and 10:30 p.m.
  • Opening night party at Metro Nightclub after the show to meet the cast and production team
  • $25 advance; $30 at the door
  • Athenaeum Theatre 
  • https://zachandzack.vbotickets.com/events

Nova Theatre: All the Best, Jack

A play by local actress Chelsea Anderson.

London, 1888. The city is on edge. Women are being murdered in the street. With a flick of his pen, one man creates the most infamous murderer in history: Jack the Ripper. Frederick Best, a freelance journalist working for The Star newspaper in London in 1888, is haunted by his actions, some years after his employment. Best is trapped in a personal Purgatory of guilt, reliving his involvement with the news coverage of the Jack the Ripper murders in Whitechapel in an unchanging, cyclical fashion. With the help of Her — a mercurial ferryman of sorts for Best’s addled mind — Best tries desperately to change his past, only to be driven mad by the attempt. The full cast of characters in Best’s memories serve as constants in an otherwise unstable, unforgiving, and deconstructed world. 

  • Oct. 25-28 at 7 p.m.
  • $15
  • Great Oak Commons Park
  • Tickets here

Catalyst Repertory: Popular Monsters

popmonsters
Catalyst Repertory: “Popular Monsters”

By local journalist and arts enthusiast Lou Harry.

Halloween is hitting movie theaters. The VCR is about to change how we watch films. An old-school horror movie magazine is going under. A once-famous screen actor is doing incontinence commercials. And on a dark and stormy-ish night, four very different people are about to learn what they really fear. The Popular Monsters are coming to Irvington. 

NoExit Performance and Indianapolis Movement Arts: A Little Party Never Hurt Nobody!

CollectiveIndianapolis Movement Arts Collective and NoExit Performance are throwing a a wild party featuring work by local visual artists, live performances of all varieties, and lots of ol’ timey booze! Enjoy your giggle water in the meticulously restored prohibition era bar or under the stars in the beautiful beer garden. Fringe and feathers are highly encouraged, and remember, it’s a fundraiser, so bring your moolah! All proceeds will go to support OPEN Indy, a new program that brings top-notch interdisciplinary teachers and artists to our community for master classes and performances each year.

  • Oct. 26, 7 p.m.
  • $10 suggestion donation at the door and
  • Reclamation
  • Tickets here
Posted in Indianapolis theater: previews

Openings for 8/31

Butler Theatre Department: We Are Still Tornadoes

If I had posted yesterday (like I should have), you wouldn’t have missed the first opportunity to see this new play by local Lou Harry. But I didn’t so, mea culpa. Here is what Lou has to say about the show: “About two years ago, I read the galley of a novel in an afternoon and simultaneously fell in love with it and burned to turn it into a play. Well, that has happened and Butler Theatre will be opening its 2018-2019 season with a staged reading of We Are Still Tornadoes, which I adapted from the novel by Michael Kun and Susan Mullen. I hope you can be there. Admission is free and open to the public. The play, produced staged reading-style, tells of Scott and Cath, best friends who grew up across the street from each other and stay in touch via letters — it’s 1982! — when Cath goes off to college and Scott stays home to work in his father’s store. It’s the very human story of two people navigating their shifting friendship and their transitions into adulthood, with all the laughs and tears that go along with it. Both novelists are expected to attend this first-time presentation and will participate in a post-show discussion.”

  • Aug. 30, 7 p.m.
  • Free
  • Eidson-Duckwall Recital Hall

Beef and Boards: Seven Brides For Seven Brothers

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Beef and Boards

A rollicking adventure that shows it takes a bride to turn seven unshaven, unkempt brothers into manly gentlemen … and to turn desire into romance.

Brooks and Bourke Theatre Company: Harvey

Harvey, a Pulitzer Prize-winning comedy by Mary Chase, is the story of a perfect gentleman, Elwood P. Dowd, and his best friend, Harvey — a pooka, who is a six-foot-tall, invisible rabbit. When Elwood begins introducing Harvey around town, his embarrassed sister, Veta Louise, and her daughter, Myrtle Mae, determine to commit Elwood to a sanitarium. A mistake is made, however, and Veta is committed rather than Elwood! Eventually, the mistake is realized, and a frantic search begins for Elwood and the invisible pooka, which ends with Elwood appearing, voluntarily, at the sanitarium. In the end, however, Veta realizes that she loves her brother and his invisible best friend just as they are and doesn’t want either of them to change.

 

Posted in Indianapolis theater: previews

Openings for the weekend of 5/18

Beef & Boards: Shrek, The Musical

shrekThe Tony Award winning musical based on the Oscar winning DreamWorks Animation film about an Ogre who finds himself on a life-changing journey alongside a wisecracking Donkey and a feisty princess who resists her rescue. As Beef & Boards’ 2017 Family Show, Shrek, The Musical features $10 discounts off tickets for all kids ages 3-15.

  • May 18-July 2
  • $42.50-$62.50 (All tickets include dinner buffet, plus coffee, tea or lemonade. Full bar service and gourmet desserts are available at additional cost.)
  • beefandboards.com

Phoenix Theatre: HIR

hirWhen Isaac is dishonorably discharged for a drug addiction, he comes home only to find nothing is how he left it. Liberated from the oppression of her marriage, Isaac’s mother leads a crusade against the patriarchy alongside his sister, who is now a trans male anarchist and uses the pronouns “ze” and “hir.” Meanwhile, his abusive father has become ill and downs estrogen pills against his will. An Alice-in-Wonderland look at the traditional family, Hir flips the script on gender power dynamics … but does destroying the past really free you from it?

  • May 18-June 18, Thursdays, 7 p.m. $27; Friday-Saturdays, 8 p.m. $33; Sundays, 2 p.m. $27
  • CheapSeats weekend May 18-21: All tickets for this show will be only $20 on opening weekend.
  • Producer Party May 19: After the performance on Friday of opening weekend, the Phoenix will host a Producer Party. Food and Sun King beer will be provided.
  • Second Sunday May 28: The Second Sunday discussion will take place immediately following the performance.  Come join cast and designers for a lively Q&A and gain a unique perspective of the show.
  • http://www.phoenixtheatre.org

Play reading: West Wildwood Ave or Rita From Across the Street

Constance Macy, Robert Neal, Nina Samaan, and Paeton Chavis will participate in the first public reading of Lou Harry‘s latest play. West Wildwood Ave or Rita from Across the Street concerns Mark, who sold his boardwalk business to take care of his troubled brother, and Donna, who is summering at the shore with her teen daughter while her husband works during the week back in Philadelphia. A lot can happen over two porches during a single summer.

  • The public is welcome to attend this free reading.
  • Wednesday, May 24 at 6 p.m.
  • Lilly Hall 328, Butler University

Khaos Company Theatre: 2017 Dionysia New Play Festival

khaosKhaos Company Theatre ensemble presents five-page excerpts from plays (as far away as Nigeria this year) in the fourth annual international play festival! Audience participants cast their votes, buy additional votes, and help determine what winning excerpt will be fully produced in the 2018 season.

 

Catalyst Repertory: Feral Boy

feralflyerThe world premiere of Feral Boy by Bennett Ayres. May is Catalyst‘s guest artist month. Local writer Bennett Ayres ‘s new show is staged with direction by Zach Stonerock. Feral Boy is the story of Corbett, a recent college graduate, who finds purpose and direction through his friendship with a group of feral cats. But as his attempt to join the cats becomes an obsession, Corbett discovers that total freedom requires extreme sacrifice. Features original, hand-crafted puppets by Indy’s Patrick Weigand. For this production, Catalyst Rep will house theme nights in tandem with sponsors the LongShot Theatre. Feral Boy is recommended for ages 16 (strong language, adult situations, implied animal abuse, and sexual content). However, see the flyer for lots of family fun in conjunction with the show’s run.

We’re Still Here: Stories of the Flint Water Crisis

flintWe’re Still Here is a 45-minute play written based on interviews with more than 40 residents of Flint, Michigan, about the impact of the water crisis. The play features excerpts from those interviews, performed in a one-woman show with the residents’ own words. The evening will begin with recorded poetry readings from Flint resident TaJuana Stokes, followed by the live performance by Sarah Janssen. Recommended for ages 12 and up.